‘Werewolves’ Review Frank Grillo’s Action Horror Movie Has a Great Premise .. and Not Much Else

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Marya E. Gates is a freelance film and culture writer based in Los Angeles and Chicago. Berkeley, and also has an overpriced film reviews and underused MFA in Film Production. Other bylines include Moviefone, The Playlist, Crooked Marquee, Nerdist, and Vulture.

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Everyone else in the movie feels completely disposable, and characters who seem like they should be important are quickly removed from the board in ways that aren’t emotional or gnarly enough to resonate. Werewolves is stuffed with overwrought inspirational speeches that read like mantras you might find on a police or fire department’s wall. (“Always ready!” is a repeated battle cry.) It all leads to a final fight that should feel epic but ends up being more disappointment. A former family man whose gambling debts led him towards white-collar crime, Don is not the kind of guy capable of murder. Instead of doing the deed, he kidnaps Phyllis with a plan to take her to Washington State.

  • In a way, the film is almost a love letter to this beautifully vast, isolating, and underappreciated part of California.
  • Reiner deftly weaves this kind of regional humor into his script, along with playful winks and nods to the film noir genre.
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Werewolves certainly has a neat premise, but, sadly, the movie fails to ever fully live up to it. Nicholas Hoult, Willem Dafoe and Emma Corrin also star in the latest take on Bram Stoker’s eternal tale of the vampire who descends from the mountains to spread plague and death. Ebony Obsidian also stars in the inspiring true tale of the all-Black Women’s Army Corp unit tasked with sorting millions of letters to and from soldiers on the European front. From commanding lead roles to standout supporting turns, the year onscreen yielded great work across multiple genres from actors who have earned a spot on casting directors’ radars. This website is produced by BBC Global News Ltd, a commercial company that is part of BBC Studios, owned by the BBC (and just the BBC). No money from the licence fee was used to create this website.

Even the motivations of the werewolves remain unclear, as their behavior is often dictated by what the scene needs. Sometimes they’re just killing machines; other times, they retain some of the humanity within. While sometimes they pack up together in groups, when it’s convenient, they’re just as much a danger to each other as they are to any unchanged humans nearby. There’s little to no consistency in how the wolves interact with the world around them. The movies of Christopher Nolan are all, in their way, Odyssean epics, Homeric…